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After shunning our pasts, land, and ancestors, most of us still feel emptiness inside influenced by mixed mythologies and ideologies to loose oneself. Malidoma Somefs, initiation in the life of an African Shaman holds that loss and depicts one of the most intimate accounts of spiritual transformation. As Some� narrates the indigenous sacred ways of his people, he also reveals a vivid picture on his environment, feelings, and state of consciousness. This Autobiography vividly describes not only the authorfs loss and rediscovery of his culture but also portrays his shamanistic initiation through Joseph Campbellfs comparative mythology of a metaphysical journey or quest of a hero and crossing the threshold of an unconscious state.
In his study of the myth of the hero, Campbell emphasized that there is a single pattern of heroic journey and that all cultures share this essential pattern in their various heroic myths. Somefs passage, gOf Water and the Spirit,h in some way, correlates with the outlined conditions, stages, and results of the archetypal heros journey which Campbell refers to. Somefs transformation from a mere boy of uncertainty, maybe a little confused, and shame, develops in hopes to return as a man to his family, more knowledgeable of his culture and place in life, and open to the new world of the supernatural.
According to Campbellfs gHero Cycle,h Some� is the mythological hero who will undergo an gunusual birth,h or rebirth in this case, to gseek out his challengeh and acquire his goal. Before the journey has begun, Some�s father performs a ritual in which he asks the gancestorsh to give his son the power of his ancestors in efforts to return his son safely. He then says, gThe time has comec.h This alludes to Campbellfs notion of the hero gsetting forth from his everyday worldc.lured, carried away, or called to the threshold of adventure.h
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Afterwards, the candidates for initiation sang and bared no clothing on their bodies in acts of expressing onefs relationship with the spirit of nature. In become one with nature the young boys became intoxicated and in an altered state of mind, thinking of their objective as they enter the gbelly of the bush.h As they approach the elders of the tribe and the luminescent of the fire, everything is intensified. Campbellfs analysis of this stage would be the gherofs journey through a world of unfamiliar yet strangely intimate forces, some of which threaten him and some of which gives magical aid.h As Some� and the rest of the boys following the sounds and rhythm of the enchanting song their state of conscious is also beginning to change. At this point of time they are still aware of their environment and are in control of body and soul as they become tranced, ghearing and thinking of nothing.h
The fifth elder stands in the center and talks about gEach one of us possessed a centerc.and to grow from childhood to adulthood was to walk away from it.h Based on Campbellfs passage on gThe Hero with a Thousand Faces,h he discusses of the hero overcoming human limitations through visions, ideas, and inspirations. This is the revelation of the hero understanding what his challenge is and how to find gthe center from both within and without. Without the center we cannot tell who we are, where we came from, and where we are going.h
Upon coming in contact with the gpure universal energy,h Some� describes his involvement and sensual response to his supernatural experience. Everything around him has become magnified as he drifts off to a different level or plane, loosing himself from the greal worldh and into a higher realm. He even looses sense of chronology, sensitivity, touch, smell, logic, and surroundings. In this state of mind, Some� has reached a different state of consciousness which is induced with no control, organization, and ego boundaries. Campbell calls this phenomenon or concept as gthe hero entering the bottom of the underworld.h
Drawn into this gdrug induced state of consciousness,h Some� encounters a God-like figure, unsure of how he got there, but accepting her immeasurable love volunteeringly and with familiarity. With gnewh eyes (spiritual eyes), Some� was able to absorb his new environment with the feeling of sensual nostalgia and safety as he embraced the ggreen lady,h becoming gone.h This triumph represents gthe herofs sexual union with the goddess-mother of the worldh and gthe transformation for the hero as a symbol for humanity.h
After this climatically turning point of events, Campbell says that the hero then returns to gnormalcy.h The hero, Some�, returns back to state of consciousness after his gacknowledgement of his unity in multiplicity and then make it known.h As Some� returns to the group he leaves gaining gsomethingh that he holds secretly and sacred from within.
In closing, gOf Water and the Spirit An African Boyfs Initiation,h by Malidoma Some� , this narrative reveals a little of the culture that is unfamiliar to the beliefs of many, but gives great insight and knowledge of Shamanistic initiation within the Dagara culture. Joseph Campbellfs comparative mythology of a metaphysical journey or quest of a hero and crossing the threshold of an unconscious state closely illustrates how Some�s story correlates with Campbellfs outlines of myths and tales.
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