Saturday, June 25, 2011

Flatland

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Edwin Abbotts Flatland is an absurd, satirical, comedic novel that


describes the inhabitants and the inhabitants lifestyles in a


two-dimensional world. He begins the novel describing the caste system and


each particular caste in the flatland. The lowest caste is that of the


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isosceles triangles. The isosceles triangle caste includes soldiers and the


lowest class of workmen. Isosceles triangles are those that have two equal


sides and an unequal base. The next caste level is that of the equilateral


triangles and they make up the middle class. Next come the squares and


pentagons, which are the professional men and gentlemen. Next above these are


the Nobility. The Nobility include six-sided figures and up, rising in number


until they reach the title of polygonal, which means many-sided. When the


sides become so numerous that the figure cannot be distinguished from a


circle, it becomes part of the Circular caste, also known as the priestly


order. All of these castes include the men. The women, however, are set apart


on their own and are considered to be even lower than the isosceles. The


women are straight lines. (However, I think that the novel sort of


contradicts itself here because it explains that women have a front end and a


back end, which would make them line segments, NOT lines. The reason being


that lines go on forever, segments do not.)


Next, the author begins to explain how easily the figures can go from one


caste to another. Its easy to make this transition for all castes excepting


the isosceles triangles. All other regular polygons have three or more equal


sides. When a polygon has a child, it is known that the child has one more


side than those of his father. Meaning, when an equilateral triangle has a


son, the son will have four equal sides thus making him a square. This


continues through the generations until the family has reached the Priestly


Order. It is difficult for the isosceles triangles to move from caste to


caste because of its irregularity. However, as his intelligence grows, the


isosceles triangles two equal sides have been known to shrink and his


unequal base to grow, thus making him closer to an equilateral triangle. It


is a rarity, but an equilateral offspring can be born to isosceles parents.


(Again, I think the book contradicts itself. Its probably just a mistake,


but the book says parents NOT father implying that BOTH parents are


isosceles triangles, but if all females are lines, they cannot be isosceles


triangles.)


The women of flatland are dangerous to men. They are but straight lines.


Sure, you can see them fine from side view, but when looking at them straight


on, they are but a point. For those of us in the three-dimensional land, its


like laying a needle on a table and looking at it straight on with our eyes


at the tables level. All we would see is a point. The women are almost


invisible to the men when looking at them from the front. If the men are not


careful, running into the almost invisible women could lead to their demise.


Thats why its a law that in public, the women must continuously move their


backs so that the men can see them. Also, the women and men have separate


entrances into their homes. The men enter the home on the west side and the


women enter the home on the east side. Otherwise, the men could be in danger


around the women. The women also


have very short memories. Their heads are so tiny that they cannot store very


much information. The women are also very passionate. In a heated moment, a


woman could execute her husband and her children. Because of her short


memory, moments later she might ask what happened to her family.


Next, the author describes the ods of telling the castes apart.


Because flatland is two-dimensional, everything that can be seen is seen as a


line. There are three ods that the flatlanders use to tell each other


apart. The first od is hearing. The figures sense of hearing is far more


developed than that of the three-dimensional people. It allows the figures to


discriminate between the equilateral, square, and pentagon castes. The second


method, feeling, is used mainly by the women and lower-castes. The feeling


method is simply what it states. The figures feel each other to determine


what type of figure the others are. However, this od is dangerous because


one wrong move can seriously injure or even kill a figure. The isosceles


triangles have very sharp vertices and we already know about the dangers of


the women. The third and most sophisticated od is that of sight. Now,


its been stated before that when a figure is seen, it is seen as a straight


line. However, with the presence of fog, the figures are able to tell the


difference between other figures. With fog, the front of the figure is clear


and sharp while the other sides are much dimmer and fall back into the fog.


The deeper the sides are into the fog, the dimmer they are. This od of


sight is only used by the upper castes and it is taught in a university.


Next, the author goes on to talk about irregular figures. Irregular


figures are those polygons whose sides are not all equal. Most irregular


figures are executed because their fellow flatlanders see them as useless in


their society. Soon, we learn about the practice of painting. The figures


begin to paint themselves in order to tell each other apart. The other three


methods are thrown out of the window. At first, it is all castes excluding


the women and circles that paint each of their sides in order to distinguish


themselves from the other castes. Lines and circles obviously do not have


sides, so they remain pure as the others paint themselves. However, very


soon, the women and circles begin painting themselves as well. They paint


their front halves red and their back halves green. This causes problems


because when the priests are seen, they appear to be a line- half red, half


green. The women are also half red, half green lines. Other figures begin to


confuse the lines with the circles and things become chaotic. The author goes


on to describe the color problems and how it becomes such a problem that it


even causes a war which ends with the complete annihilation of all isosceles


triangles. Afterwards, the use of color is completely abolished. Summing up


the first book, the author describes the priests (circles) and exactly how


they reach the status of priest order.


The second book of the novel simply describes the main characters (who


is a square) introduction to the worlds of one dimension (lineland) and three


dimensions (the land of the solids). He is introduced to lineland through a


dream. In his dream, he tries to convince the King of the lineland that there


is a world outside his own and that another dimension does exist. The king is


reluctant to believe the squares story and after much debate, the lines


begin to attack the square. The square then wakes up, realizing it was only a


dream. Soon though, the tables are turned on the square when a sphere from


the solid world visits him. The sphere tries to convince the square, as the


square himself did to the king of lineland, that there is yet another


dimension. The square himself is reluctant to believe the sphere. After much


debate, the square is convinced that the sphere is nothing but a magician or


devil of some sort and attempts to kill him but to no avail. The sphere


continues to argue and again, the square tries to kill the sphere. Again, his


attempt is in vain. Once the sphere realizes that the square cannot be


convinced otherwise, he takes the square with him to the land of the solids


and shows him. Finally, the square sees what the sphere has been trying to


explain the whole time. Upon returning home, the square begins to tell his


grandsons about the land of the solids, hoping that they will understand.


Afterwards, the word of the land of the solids begins to spread.


Obviously this novel is out there. Its completely absurd. However, it is


a very funny novel thats also educational. The personification of


two-dimensional shapes throughout the novel makes the novel interesting. The


reader really has to use his or her imagination. In summation, this novel is


about two-dimensional figures that live in their two-dimensional world just


like people. They are ist, they discriminate, they kill, they reproduce,


they are born, and they die. It kind of makes you think about the


two-dimensional drawings that we see everyday. When we draw a square on a


piece of paper, its just a figure. When we bisect a triangle, its just a


figure. When we draw a circle on a piece of paper and then rip the paper in


half, were not hurting the circle, were just tearing the paper…right?





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