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A Streetcar Named Desire, by Tennessee Williams is a play about the primitive man, reality, fantasy, and lost treasures of the past. This play involves Blanche DuBois, Stanley Kowalski, Stella DuBois Kowalski, and Harold “Mitch” Mitchell. Stanley and Stella are a married couple, content with their lives, living on what they need and no more. Blanche is sister to Stella, a relic of Southern aristocracy, coming to visit Elysian Fields by a streetcar named Desire. Mitch is best friend to Stanley and close acquaintance to Blanche. Blanche is an English schoolteacher, fired because of her infatuation with young teenage boys. So, left with nothing but a dead husband, dead family members, and the loss of the country estate, Belle Reve, she has nothing left except her desires. With no other alternatives, Blanche decides to stay with her brother-in-law for a while, but it turns out to be the biggest mistake of her life. A pathological liar, tramp, and mentally debilitated by the surrounding death in her life, Blanche lives in a world of illusion. Stanley, the primal man, domineering, and strict realist sees everything in harsh strokes of black and white. There is no imagination, false ideals, or hopes. From the very start, Blanche and Stanley are at war with each other because of very different backgrounds and personalities. This battle reaches it’s height in scene ten, when Stanley intentionally raped Blanche, resulting in the loss of her remaining sanity.
Stanley’s natural personality leads him to do things in society that are considered “uncivilized.” He is by nature an arrogant, crude, blunt, and animalistic creature. He is a man, so he believes that no one else is better than he, women should be subservient, and his barbaric needs are most important in life. He needs Stella to make his own dinner, and when she’s gone out with Blanche, he loudly asks, “How about my supper, huh? I’m not going to no Galatoire’s for supper!” (8) Stanley’s life revolves around food, sex, games, competition, and control. He is in control of his life, and the people around him daily. When Blanche comes to town, she is a variable in Stanley’s life. Since Blanche is not submissive like Stella, she changes the routine and freedom. Blanche is independent; altering the lifestyle of her sister to what she believes is more appropriate and decorative. Everyone in town knows Stanley, knowing that what is in the shabby flat belongs to Stanley. Blanche, being the newcomer doesn’t understand that this world she has dropped into belongs to men. “It isn’t Stan’s. Everything here isn’t Stan’s.” (114) This shows Blanche’s defiance against the rules in his own home. Blanche isn’t controlled or owned by Stanley, and this irritates him. The fact that he is Polish, common, uneducated, and poor also frustrates him, because Blanche comes in embellishing her intelligence, her refinement, and her wealthy background. His animosity towards her is manifested through his interrogations, investigations, birthday “gift”, and destruction of her relationship with Mitch. The game between the two characters has to be won, and Stanley conquers Blanche the only way he knows how because “her future is mapped out for her.” (105) By dominating Blanche physically, through sex and violence, Stanley triggers the loss of Blanche’s sanity and future life. His disturbing and degenerate behavior is seen with the abuse he inflicts on his wife & friends, also with the rape of Blanche. With the battle won, he is therefore master of his wife and home again.
Stanley’s primitive nature is at a gradual pace towards the violation of Blanche. Feeling that Blanche is a threat towards his way of life and marriage, he is trying to protect himself by hurting Blanche in the same way that a provoked animal will try to protect itself by lashing out at a perceived threat. When Blanche decides to stay at Elysian Fields, at the hospitality of Stella, this adds financial burden to Stanley, interference in daily life, and the couple are devoid of privacy. She changes everything, including his usually dutiful wife, who never protested against his wishes. Ever since Blanche has been around, Stella is more assertive, calling him a “Pig�Polack�disgusting�vulgar�greasy!” (107) He furiously shouted back at the sisters, “them kind of words have been on your tongue and your sister’s too much around here! What do you two think you are? A pair of queens? I’m the King around here, so don’t forget it!” (107) Hearing these repulsive comments made by his wife and constantly in a quarrel with her, he knows that the only solution is to get rid of Blanche, anyway that he knows how. With Blanche gone, Stanley can resume his life of manly freedom, with obedient wife and baby boy. This incentive for a better life provokes Stanley to do something with Blanche, to overcome her, and finally conquer her. To make things better with Stella, starting a family, and not caring about sophistication, Stanley exclaims to his wife, “Stell, it’s gonna be alright after she goes and after you’ve had the baby. You remember that way that it was? Them nights we had together? God, honey, it’s gonna be sweet when we can make noise in the night that way that we used to�” (108-10) Blanche is not only a threat to his marriage, but his friendship with war comrade, Mitch. Mitch’s affection for Blanche brings out his need for companionship, his life’s loneliness. While dating Blanche, his time and loyalties are swayed towards her side of the court, and Stanley cannot take it. This woman who has been flipping his world upside down isn’t going to win both his wife and his friend it’s all or nothing. Stanley makes sure that Blanche will end up with nothing.
In his twisted mind, Stanley believes that his violation of Blanche was fated and she purposefully provoked him. For example, when Blanche asked Stanley to button up her dress in scene two, she playfully sprayed him with perfume. Feeling indignant, Stanley questions her motives. “If I didn’t know that you was my wife’s sister I’d get ideas about you!” (41) Blanche’s constant lying, mendacious stories, and flirtatiousness is constant throughout the play. Her self image and sanity is crumbling also from the pressures of reality. Thus, she depends on male sexual admiration for her self-esteem, leaving her with a bad reputation. Her escape to darkness, illusion, and fantasies irritates the strict realist to the point where he can’t stand it, so he takes action to send her away. His plan to remove Blanche from the picture has been bubbling from the beginning. “We’ve had this date with each other from the beginning.” (10) This statement shows that he notices her flirtation, her beauty to some extent, and the consequences of his actions. With Blanche terrified of being alone with Stanley, he softly says, “Come to think of it�maybe you wouldn’t be bad to�interfere with…” (1) His abuse towards pregnant Stella, crude remarks, and hostility are never followed by remorse for his actions. Not only does he rape Blanche, but he has his “colored lights” going when his wife is in the hospital giving birth to a son. His harsh world of reality is so strong, he has no comprehension of loneliness, the loss of family, and the need for hope, and some illusion to keep life bright. Lacking any imagination at the heart shows that he is animalistic, primitive, and cruel.
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People can be overwhelmed by their darker, passionately instinctive sides, much like animals themselves are ruled by passionate instinct. Unfortunately, when this instinct takes over, it can have violent and unrestrained consequences, as in the case of Stanley Kowalski. His lack of inhibition, drowning of “civilized” rational, makes him too intense and violent in nature. But, the rules of “civilized” society hold back people like Stanley. His “sub-human” qualities are enforced by his inability to control his temper. Maybe once again, society will be guided solely by instinct; it may be that this is something inevitable. However, if the world becomes such a race, people will finally shed the false clothing of civility that confines the world.
A Streetcar Named Desire by Tennessee Williams. Signet Printing � 151
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