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Macbeth, also known as The Scottish Play is one of Shakespeare’s most violent tragedies. In this play, Macbeth, Thane of Glamis, meets with three evil sisters. They share with prophecies with him. It is this knowledge of the future that is his ticket into hell. As Macbeth slowly descends into this evil abyss he loses his morality and innocence and is racked with guilt. Several important scenes in the play display Macbeth’s gradual decline from a place of power, as king, to a complete defeat and a surprising death.
Our first glimpse of Macbeth’s character is in Act one Scene two. Here, the idea that Macbeth is a truly brave and noble warrior comes into view. A war is being fought in Scotland, between the king and his men, against a traitor, Macdonwald, Thane of Cawdor. A bleeding sergeant is relaying stories from the battlefront to the king. He proclaims And fortune, on his damned quarrel smiling,/Show’d like a rebel’s whore but all’s too weak;/For brave Macbeth, - well he deserves that name, -/ Disdaining fortune, with his brandish’d steel,/Which smok’d with bloody execution,/Like valour’s minion carv’d out his passage/Till he fac’d the slave;(1..14-0). Macbeth is at the top of the spectrum now. The King then tells all who are near that Macbeth will now be known as Thane of Cawdor. No more that Thane of Cawdor shall deceive/Our bosom interest. Go pronounce his present death,/And with his former title great Macbeth.(1..65-67)
Our next look at Macbeth’s character comes to us in Act one Scene Three. Here is the first time we actually come in contact with Macbeth. He is presented as an innocent warrior, who fights for his king. He seems noble and valiant, not the type to commit the crime of treason. In this scene he meets the three evil sisters, and is intrigued with what they say. All hail, Macbeth! Hail to thee, Thane of Glamis!/All hail, Macbeth! Hail to thee, Thane of Cawdor!/All hail, Macbeth! That shalt be king here after. (1..47-4). It is now that Macbeth starts down the road to his doom.
Once Macbeth believes that he will become king, he feels he must do whatever it takes to make that happen, including killing the Prince of Cumberland. The Prince of Cumberland! That is a step/On which I must fall down, or else o’er-leap,/For in my way it lies. (1.4.48-50) He then calls the sky to become dark to hide what he will do. Stars, hide your fires!/Let not light see my black and deep desires;/The eye wink at the hand; yet let that be/Which the eye fears, when it is done, to see. (1.4.50-5) This darkness symbolizes the evil in Macbeth. Calling the stars to go out, is dispersing the happiness and joy around and, is calling upon the powers of darkness and evil.
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Soon after he decides that the Prince of Cumberland will have to be dealt with, Macbeth arrives home to Lady Macbeth. He has written to her and she knows of the events that have taken place. Macbeth announces that King Duncan will be staying the night at their castle. Lady Macbeth then explains her plan to kill Duncan. Macbeth is still quite innocent at this point and does not want anything to do with murder. Lady Macbeth tells him not to divulge her plan in his face, but to be the best host, and then no one will know of the evil to come.
Your face, my Thane, is as a book where men/May read strange matters. To beguile the time,/Look like the time; bear welcome in your eye,/Your hand, your tongue look like the innocent flower./But be the serpent under’t. He that’s coming/Must be provided for; and you shall put/This night’s great business into my dispatch;/Which shall to all our nights and days to come/Give solely sovereign sway and masterdom. (1.5.61-68).
He does not know what to say to this and merely replies, We will speak further. (1.5.6).
It’s in Act two Scene three where we see Macbeth fall into the mindset of a murderer. He sees a dagger, which leads him to Duncan’s room where he murders the king. He is so shaken up about what he has done that he brings the daggers with him. When he goes meet Lady Macbeth. In his actions it is shown that he feels guilty. Also when a knock comes on the gate to his home he says, “to know my deed ‘twere best not know myself./Wake Duncan with thy knocking! I would thou couldst!” (.1.7-74) This quote also shows that he is not completely evil. He still feels guilty and regrets what he has done.
We find later in Act two scene two that Macbeth kills easily. He quickly murders the two guards. His excuse is that he was wrought with grief.
Who can be wise, amaz’d, temperate and furious,/Loyal and neutral, in a moment? No man;/the expedition of my violent love/Out ran the pauser, reason. Here lay Duncan,/His silver skin ladd with his golden blood;/And his gash’d stabs look’d like a breach in nature/For ruin’s wasteful entrance there, the murders,/Steep’d in the colors of their trade, their daggers/Unmannerly breech’d with gore who could refrain,/That had a heart to love and in that heart courage to make’s love known? (..111-10)
In act three scene one Macbeth again shows his ruthlessness. He hires murders to kill his old friend, and fellow warrior, Banquo and his son Fleance, in order to preserve the crown for his heirs, of which he presently has none.
Your spirits shine through you. Within this hour at most/I will advise you where to plant yourselves,/Acquaint you with the perfect spy o’ the time,/The moment on ‘t; for ‘t must be done to-night,/And something from the palace; always thought/That I require a clearness and with him-/To leave no rubs nor botches in the work-/Fleance his son, that keeps him company./whose absence is no less material to me/Than is his father’s, must embrace the fate/Of that dark hour. Resolve yourselves apart;/I’ll come to you anon. (.1.18-18)
In scene four of the same act, we see that Macbeth has a conscience. He feels guilty about the murders and his conscience is running at full speed. He sees Banquo’s ghost and feels he can’t be directly blamed for his death. “Thou canst not say I did it never shake thy gory locks at me.” (.4.51)
. In act four, scene one, Macbeth goes to find the witches for more information. He needs reassurance, and if anyone else is in his way he is ready to kill them. It is here that he has truly stepped into the dark. The witches give him some riddles to think about. “Be bloody, bold, and resolute; laugh to scorn/The power of a man, for none of woman born/Shall harm Macbeth.” (4.1.77-80) “Be lion-mettled, proud, and take no care/Who chafes, who frets, or where conspirers are/Macbeth shall never vanquish’d be until/Great Birnam Wood to high Dunsinane Hill shall come against him.” (4.1.0-4)
We see Macbeth in a state of tiredness in act five, scene three. He has not been able to sleep do to the night terrors he has been experiencing. He is tired and everyone is turning against him. He begins to think about the riddles and is not quite satisfied. “Bring no more reports; let them fly all/Till Birnam wood remove to Dunsinane/I cannot taint with fear. What’s the boy Malcom?/Was he not born of woman? The spirits that know/All mortal consequences have pronounc’d me thus/’Fear not, Macbeth; no man that’s born of woman shall e’er have power upon thee.’” (5..1-7)
It is in act five, scene five where we see the uncompassionate Macbeth. His wife dies and he needs to prepare for the war so he “doesn’t have time” to mourn her. “she should have died hereafter;/There would have been a time for such a word.” (5.5.17-18) It is also in this scene where the prophecies come back to “haunt” him. “As I did stand my watch upon the hill,/I look’d towards Birnam, and anon, methought./The wood began to move.” (5.5.-4)
As the play comes to a close and Macbeth meets his doom he becomes hopeless. “They have tied me to a stake; I cannot fly,/But bear-like I must fight the course. What’s he/That was not born of woman? Such a one/Am I to fear, or none.” (5.7.1-) His life has no meaning. There is no happiness, no hope, no joy. There is nothing to live for, yet he wants not to die. Yet, he does nonetheless. In scene eight of act five, the concluding scene, Macduff and Macbeth fight to the death, Macbeth’s death. Macduff was the only one the Macbeth had to fear. “I bear a charmed life, which must not yield/To one of women born.” (5.8.1-1) “Macduff was from his mother’s womb/Untimely ripp’d.” (5.8.15-16) By this time, we know that Macbeth has definitely crossed over to the dark side. He cares for no one but himself.
As the play progresses we see Macbeth in many different lights. Sometimes he seems like any other person, he is wrought with guilt, and feels regret for the things he has done. Other times he seems like the darkest, evilest, most wretched being. The farther we enter the play the more malice it becomes. Macbeth is a play about fate and choice, the reversing of morals, and human nature. It shows that people naturally influence the decisions of others through their words and actions. But how much of this is choice? And how much has been planned out since the beginning of time?
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