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In the essay “Gangstas,” Richard Rodriguez states how much he hates the way gangs act. He testifies that he dislikes their likes in music, their dress, and jargon. He uses photographer Joseph Rodriguez’s professional photographs of Hispanic Gangs to help prove his point. That the gangs are an over confident subhuman that is stuck in a street play that is not part of our world. A subhuman glorified in a fabricated world that evil is what puts hairs on a man’s chest. An allure that attracts the animal in all of us, women are attracted to this confident and powerful entity witch automatically gives a cretin amount of a sex appeal. Because of this fact, this capitalistic American society tries to make a buck on it. The media exploits this confidence and gives us endless amounts of adrenalin rushed ads in hopes of us buying in to this false world and in consequence giving the gangsters a certain amount of justification.
One photo has a baby’s dad helping her handle a gun. Another shot is three guys with shaved heads and tattoos. Two guys have their backs turned facing a friend that looks like he is giving them a watered down dress inspection. The third shot is a kid holding a picture of his dad, looking like he is lost in a concrete jungle. The caption with the photo, says that the kid’s dad is in jail. The last photograph in the series is a funeral for a baby with the family suffering over the baby’s open coffin. Richard says that the photographs do not tell the entire story about the East L.A. gangs. The inside story, the story that no one really knows except those people that are involved.
He says, “That these photographs don’t tell us about crack mothers or school that don’t work or pappy dead or in prison. Documentary without a hint of narrative comes dangerously close to the vision Diane Arbus saw in her madness. Children appear grotesque. Spawn of some hideous neighborhood (not ours) without trees or sun or air. A land of roaches and rats and unnatural mothers.”
The photos do tell a lot about what is going on in their lives. The series of shots that are shown with his essay have a cycle to them. A cycle of what happens living in a violent place and the outcome, “Death.”
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The photograph of a gangster father helping his daughter hold a gun while his wife looks on with satisfaction is a little unsettling. You can see the seed of violence being planted early in this shot. The baby cannot even put both hands around the handle, but she is that much closer to bloodshed. A person can only imagine that this East L.A. ghetto is close to hell on earth. With people, shooting at each other because of bad drug deals and turf wars. The schools are a joke and barely habitable houses. There is very little work to go around so the people find other ways to make money. Either sell drugs or cheat the government out of unemployment and social security. With despair all around, I could see my mind would start to go crazy. Wondering why God would put me in such a place or why he chose me to be here instead of that other guy on the other side of town with hard working parents. Don’t you think, if a little older the baby in this photo feels she’s getting a bad deal? Her mom brought her into a community that shoots at her father. The baby might not have a dad when she wakes up the next day.
The cycle is fed with young men looking at their friends for support. They have to stick together to survive. If not, their life would end fast. In the photograph of the three guys with shaved heads and tattoos. Their friend looks like he is inspecting them, seeing if they have the uniform of their gang down. Are their heads freshly shaved, do they have tattoos that say where they are from? The friend looks like he is pleased with what he sees. A bunch of guys that have each other’s back ready to fight for life in a gun battle to the end. They are not afraid of death, death is inevitable. Life is hell and whatever fun they can find together is just icing on the cake.
What makes these men feel that they have to live this way? Taking the photo of the kid holding his dad’s picture, with the neighborhood kids in the background circling around the poor kid like vultures looking for fresh meat to exploit. His dad is in jail and has no role model to teach him what is right. The kid, probably will be influenced by his friends to be a part of the machine of gang life. In this machine, there is no way out. The innocent kid is trapped to live a life that is not intended for him. No kid should be forced to be a gangster, that’s not a right it’s a crime. The little boy has nothing to go on except the fact that gangs are the only way to survive. What can we do to break the cycle of this boy’s life? We can do a lot and we do a lot by allocating funds through taxes to pay for places to go for help. But, the kid would have to brake the cycle and say enough is enough. His friend that has been watching his back and looking for support from him, would have a different idea. Their eyes and ears when they are not looking, is going away. That is the problem! The kid grows up with this core bunch and has moral obligations to stay. The cycle is tuff and it takes a man with realistic morals to him self to realizes that his friends are just using him to stay alive.
The undeniable truth we all have to live with, is the fact we are going to die sometime in our lives. In the photograph of the baby in the open coffin and the family looking at his life less body. The caption that accompanies this shot says that his future ended abruptly by a drive by shooting. What a waste, this child could have had a chance to get out and become some one, but because of gang violence no one will ever know. The cycle has ended to a birth of a renewed hope that this will never end. This photo had a baby that perished, and not a gangster. What if it was a young gang member instead of the child was in the coffin? To parents their child will always be their little baby. The baby in the coffin signifies the bitter loss of any life and the cost of violence.
Richard say these photographs are just a moments of time with no meaning except a looking glass at what a gangster looks like. A person would not want to meet a gangster in person, because they might get shoot. Viewing these animals in a cage of a photograh is a better option. However, they are not animals, they are people like me. When I look at these photos from Joseph, I do not just see moments in time. I see a story of how an innocent person becomes a gangster and the brutal consequences of living around that kind of life.
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