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SUMMARY
Citizen Kane, a movie directed by Orson Welles, is about the life of a multimillionaire newspaper owner named Charles Foster Kane, played by Welles himself. The film displays a reporter attempting to figure out the meaning of the word “Rosebud”. “Rosebud” is the single word that came out of Kane’s’ mouth during his death in his astonishing mansion, Xanadu. Throughout the film, the reporter tracks down people who worked and lived with Kane. They reveal information pertaining to the life of Kane, but not enough to unveil the true meaning of the word “Rosebud”.
ANALYSIS
I feel the strength of this film lies in its cinematography. It begins with an incredible composite of newsreels spanning Kane’s entire life. The newsreel most amazing to me was the one, which announced the merging of Kane’s newspaper with another company. This shows how powerful and manipulative Kane really is. Perhaps, however, the most notable newsreel is the one that dealt with Kane’s death. It seemed like it caused the whole world to pause for a second and pay tribute to most famous pioneer of journalism. Showing this montage of newsreels is an excellent and effective way to begin a film. I don’t think it would have been as effective had it been a different movie.
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The newsreels play a significant role in the cinematography of the film. The variety of camera shots and frames, however, are just as important as well. The first shot, which comes to mind, is the adoption of Kane by Walter Parks Thatcher (George Coulouris). The reason I say it’s important is because it connotes Thatcher’s dominance over Kane. While this is true, later in the film, the dominance switches over to Kane. Despite the many different shots, the framing is what really drew my attention. A good example of this is when Kane announces his running for governor. The camera, deep focused on Kane, gives the viewer the impression of a Stalin-like figure. Once again, Welles did a marvelous job with the many diverse camera effects.
Honestly, after watching this film, I wasn’t quite sure what to think of it. I asked myself, “What is it that I liked about it”. The only thing I came up with was obviously the plot, and how the camera, by its many effects, drew my eyes to the screen. I was also amazed of the fact that Welles was the director, but he also played the main part. I know many actors direct today, but back in the forties it must have been real difficult. For these very reasons, I think this movie ranks up there with some of the best all time.
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