Comparison between the Brave New World and present day

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In the novel Brave New World, Aldous Huxley made many accurate predictions about our world today. He foresaw that business is going to control the modern world, and companies are going to be trying various ways to to get people to spend their money. Huxley foresaw that these companies are going to use sports, manipulation of people’s minds, and their desires to be good looking and attractive to achieve their goals in making profit. All of these predictions are proven to be true by “Stalking the Youth Market”, an article written by John Schwartz.


The first enormous similarity between the world described in the novel and today’s world is the effect of sports on people and the way companies profit from this. In Brave New World sports are used to get people out, to spend their money on equipment, and “increase consumption”. A parallel observation can be drawn about sports in our world today. Sports are solely used for making money. They are no longer just an expensive entertainment, but a large base for marketing and advertising. There had been 1.7 billion spend on sport shoes by teens last year. Many companies also use sport celebrities to make certain products popular. Nike used Michael Jordan for their shoes campaign.


Another similarity between Brave New World and the present world is that companies manipulate people’s minds to increase consumption. In Brave New World scientists used sleep teaching to manipulate children’s minds to increase their desires for buying goods, “Ending is better than mending”. In the article the marketing representative of Nike agreed that marketing is “not an exact science” and this is why the company used specially designed commercials with the purpose of “getting kids to lust after their shoes”.


Huxley also foretells the effects of fashion on women’s minds. The desire to be attractive in the novel is also used by the businesses to increase sales. Lenina is a prefect example of how the Brave New World women want to be attractive and pneumatic. The article by John Schwartz also discusses the use of fashion by companies to increase sales. Present day companies use the want of people to be fashionable to make more profit. Nike knew that women want shoes that “look good”, which lead to Nike’s new products that were shoes that “look good, and you can workout in as well”. Then these athletic shoes, which are also “fashion/casual” footwear are labeled $150.


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In the novel Brave New World Aldous Huxley makes many accurate predictions about the present world. He foretells how sports, fashion, and advertising are going to be used to increase consumption. All of these predictions are verified by John Schwartz’s article “Stalking the Youth Market”.


Brave New World by Aldous Huxley


Stalking the Youth Market by by John Schwartz


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Greed Ends in All That is Bad

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The date was 177


A few miles from Boston


Lived a miserly couple that wished for wealth over deliverance to heaven


They sought out wealth in any way possible too often.


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Tom the met the devil first


However, his wife was the initial casualty


Rumors of her demise was the only thing that was dispersed


In the end, Tom too fell to be his casualty.


Showing that no good


Comes from ill-gotten riches.


One should work hard for it’s numerous or meager food


If one takes the dirty route to the top, he will reside forever in the ditches.


Then when one becomes to deep in trouble


He will seek an easy way out in this case, it was church


Though no matter how hard one tries he will be trapped in a immoral and guilt bubble


He will find his home in hell on a perch.


In addition, when one becomes rich and greedy


His friends and neighbors abandon him


Then this is when he is truly needy


As a result, no one will carry out his dying whim.


One of my great ancestors, Christopher J. Birkett, was there during the Panic of 17. He was an average businessman in the north. He owned no slaves, and believed in the elaboration of the slaves. He was average in every shape and form. He use to tell his children the story of the panic and it was passed down all the way to me. The Panic of 187 was one of the first panics to hit. It affected everyone from the president down to the common man. This is the story he told.


The panic was an incident involving an unsuitable currency and financial system resulting in a lack of confidence in both government and the banks. A n independent treasury system was emerged when president Andrew Jackson transferred in 18 government funds of the United States to the state banks.


The bank of the United States was a national bank created by the U.S. congress. The first bank gained apposition from the West because of its conservative policies, which meant it was against inflating the money supply through its means of paper money that was unbacked by gold or silver. From these policies the charter was allowed to expire which it did. This was the first things that did not help Christopher. He had no way to feed his family since the paper money he had was not backed up with hard cash. Christopher was then forced into poverty.


Andrew Jackson soon came into fame when in 1818 he led retaliation against the Seminoles in Florida and captured Pensacola involving the US in serious trouble with Spain and Britain. Christopher was never one of Jackson’s followers. So when the presidency fell into the hands of The House of Representatives and John Quincy Adams won. Christopher was pleased, but on the other hand Jackson got a sour taste in his mouth from the election. Even though Jackson did not win this time he ran again and became the president in 188. Jackson’s victory brought a strong element of “personalism” to Washington and his admistration became known as the “Kitchen Cabinet”.


Andrew Jackson was alson the first President to create the “Spoil System” which simply meant that all his buddies who helped him get into office got a fat paying in government. The “spoils” of the victory were given to his political supporters.


When Christopher got wind or this he was filled with rage, here he was living in poverty and all of Jackson little rats were living in luxery. Sally, Christopher daughter, was soon becoming ill.


From the anti-establishment and the anti-Eastern States perspective, the fight against the bank of the United States of the United States became an important issue in the presidential election of 18, in which Jackson defeated Henry Clay for the presidency. Following the victory, Jackson went about destroying the central banking system of the United States and transferred federal assets to chosen state banks. This action seriously impaired the confidence in the currency and in 186 Jackson issued the “Specie Circular,” which stated that all public lands must be paid for in gold or silver (specie). This effect hastened the Panic of 187 and tended to contradict the private script system where indival banks were allowed to issue their own paper currency.





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yayo

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An Old Note


“Your life is going down the drain, and I do not care anymore”, screamed Mel’s father. Mel sat there, taking in what her father had just said. Mel had just told her father that she was pregnant. She knew what her father had said was true, Her life was going down the drain, and Mel was ready to end it.


It all started on February 17, 001. Mel received a startling phone call. It was her best friend, Alana’s father. The only thing Mel could make out over his weeping was, “car accident and Alana is dead”. Mel dropped to her knees and started sobbing uncontrollably.


The only thing she could think of was, “My life is over”. Her other half was dead.


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Mel eventually started making new friends. They were not the type of friends her parents would approve of. All her new friends cared about were smoking pot and doing drugs. They were without a doubt bad news. Soon, Mel started to try drugs too. She liked the high she got from them. The drugs helped Mel to cope with the fact that Alana was dead.


Her grade’s slowly started to plunge. Skipping school was her favorite thing to do. Instead of getting an education, she would go to her friend’s houses and do drugs.


One night Mel’s “new friends” were having a wild party. After she had snorted a few lines of coke, she was ready to party. When Mel arrived at the party, everybody was already wasted.


A guy Mel had never met before came up to her and offered her a drink. Mel drank her drink pretty fast because she felt dehydrated. After her third drink, her head was feeling woozy, and she felt as if she was slipping out of reality. The last thing Mel remembered hearing was, “Let’s go into the bedroom”.


When Mel woke up it was morning. She had no idea where she was. She felt sore and bruised inside and out. She was completely covered in blood and bruises. Slowly everything started to come back to her. She had been raped!


Mel did not know how to react to the situation. Her body had been violated. She did not know if she should tell anyone what had happened. Mel eventually





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Observation

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Living in Dallas for a summer with my best friend Mike, I had an opportunity to live, and pay bills all on my own. We lived on the second story of an apartment complex that had been built in the late sixties. Ten-foot-high chain link fences, to keep non-residents out, or to keep the residents in, surrounded it. The plaster on the outside of the apartment buildings was coated with a thin brown sheet of mud, and the numbers on the doors, that consisted of little more than two sheets of plywood, were falling off. Our apartment was little more than a living room connected to a kitchen, with a window. We shared a bedroom and a bathroom. The walls were opaque yellow, with a tint of green. The apartment overlooked a laundry complex downstairs, and you could usually see the hustle and bustle of everyday life sitting at our one window. Mike always liked to work odd hours, leaving me at the house often alone, watching television.


At ten in the evening, I once again hear noises that resemble music, with acoustic twangs from some sort of an instrument, and a singing voice that grows to a high tone, cracks, stops and starts singing once again. This is a reoccurring event, and always at strange hours, such as five in the morning or midnight. I hear the mixed sounds drifting up to the apartment from the laundry complex below. Upon prior investigations, I have discovered the source of the sounds to be a person, but the noises continue to make me curious. I wonder, what makes this person always go into the laundry room at such odd times, and what is the person doing? The musical sounds could be floating out of an old tape recorder, as it is of decent artistic quality, though scratchy and impromptu. However, the sounds are too close and candid to be recorded, so obviously, the person must be creating the music instead of listening to it. This time, when the sounds reach my ears, I turn off the television I am watching, and decide to fully investigate. I wander over to the open window and peer out across the apartment complex. My gaze wanders into the squat, peach-sided laundry room below, a thirty-three degree angle from where I stand at my window. The slatted window of the facility frames a hunched over human figure. The figure is sitting on a silver metallic sink, which when I position myself in just the wrong way, reflects a single naked light bulb’s rays at a blinding angle into my eye. The figure wears plaid pants, and has long blond hair. Because of the slender girth of the figure’s shoulders, I guess the figure is female and about sixteen. She is dimly visible, with her back to me, and plaid covered knees poke out from a crossed style of sitting that is reminiscent of the stance of a meditating yoga master. Of what seems to be an ocher-colored guitar, only the fret board and a half-circular wooden portion stick out on either side of her body, and the figure’s pale left arm moves up and down across the instrument. As her arm forms isosceles triangles at his side in a sweeping motion, and plucking sounds echo, I can only assume this girl and her guitar are the source of the music.


The laundry facility is acoustic; the tinny sound of dryer doors opening and shutting, and the thudding of tennis shoes bouncing in a dryer usually accompany time spent in my apartment. The cavernous laundry room echoes the girl’s sounds up to me, and almost certainly, to the hundreds of other residents. The seemingly endless stream of sound lilts stutters and stops, but never completely. Her scratchy yet soft voice sings words or phrases that are not decipherable, logical, or even in recognizable English, because the distance between us muddles her sounds. Somehow, without words, the music is increasingly intriguing. Tonight the voice sounds like a montage mix of twang baritone, Charlie Daniels, and vintage Bob Dylan. I wonder if the girl is aware of the universally open windows of the apartment complex, acting as conduits to take her sounds into each resident’s home. Her seemingly accidental concerts could actually be contrived. Perhaps the girl desires to play for others without having to suffer their opinions as well. At sixteen, the girl would be awkward and uncomfortable dealing with constant criticism. The laundry room allows her to perform without the pressure. She loves her music, and abhors attention, but nonetheless wants to share her harmonies with others. From that angle, performing in the laundry room seems quite ingenious.





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A Typical Day

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A Typical Day


Waking up from the sound of my mother beating on the door, I look at the clock and jump out of bed and run to the bathroom before anyone else gets there. I think to myself, “It is only 555 in the morning. Why am I getting up so early?” I figure that it is only a start to the long day that is ahead of me.


After fooling around in the bathroom for twenty minutes, I walk into the kitchen to say good morning to my grandmother. By the time I awake, my father has already left for work. After spending a few minutes mingling, I iron my clothes and awake my younger sister. It takes me almost thirty minutes to get dressed and comb my hair. After getting dressed, I change the books in my backpack. I would not want to have the wrong set of books, which seems embarrassing. I figure by the time that I finish playing around in my room that my mother will be dressed. It takes her about the same amount of time to get dressed. After everyone is dressed and ready to go, we head out of the door.


My mother, sister, and I all pack our things into the trunk so that there will be room in the backseat for everyone to have a seat. We venture from the house, going to drop off my grandmother at an adult daycare center. No one is at home to take care of her there, and she cannot stay by herself. She has Alzheimer’s disease. My mother is the next person to be taken to her destination. My sister and I drive to school because my


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Cole


mother said she does not want us to be stranded on lunch and after school. I help my mother carry her various materials into her classroom. By the time I finish helping my mother, it is now time for me to start my busy day at school.


Ten minutes later, I arrive at school. Before I reach the campus, I already think that the day is not going to be a good day. I pull into the parking lot and find me a parking space. After parking the car, I hop out to talk to some friends. Sometimes I finish homework that I did not finish at home. The first bell finally rings and it is time to go to my first class of the day.


My first class usually goes by slow. The teacher talks and talks while everyone is still trying to awake him or herself. I somehow manage to stay awake and sit through class. The next class goes by pretty fast. By this time, everyone is awake and moving around keeping him or herself busy. After the second class is lunch. Lunch can sometimes be boring, but I guess it depends on the environment. Sometimes there is a confrontation on the parking lot, but it is easily worked out between the people and the security guards.


The last two classes of the day fly by so quickly. It seems as if I was never in that class. When the bell to go home rings, I rush out the door of the classroom to my car. I pick up my mother from work. She is never ready when I arrive. I spend about a half-hour waiting on her to gather her things. After leaving her job, I go and get my grandmother. She hops into the car and tells me all about her day.


When I arrive at home, my father opens the door and I greet him with a smile. I gather all of my things out of the car and rush into the house to get started on my homework. I dislike homework, but it helps me to learn concepts that can help me in the future. After finishing my homework and studying a little, I talk on the phone to friends


Cole


and family members. I tell them about my day and they tell me about theirs. I am usually finished talking on the phone at about 110. I take a shower and go to sleep, so I can be ready for another busy day.





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Les Miserables

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Les Miserables


In Victor Hugo’s novel Les Miserables, one character plays a part in each of the other character’s lives. Cosette, a little girl, is created to develop the rest of the “miserables” throughout the book. Fantine, Cosette’s mother, digs herself into the shameless lifestyle of prostitution and poverty, while trying to support Cosette. The Thenardiers become her home while her mother leaves in search for work. There, Cosette is used to clean and work. Through Cosette, the Thenardier’s are shown as they beat and punish Cosette, their “slave”. Jean Valjean uses Cosette in a different way. He takes her in as his “daughter” and finds companionship through her. Cosette is loved and cared for. As Cosette’s character develops she is passed along from a pitiful mother who cannot support her; to the Thenardier’s who beat and starve her; then, to Jean Valjean who takes Cosette in where she becomes his everything.


Fantine, desperately in love with a man, Felix Tholomyes, whose feelings vary from hers, and yet she bears his child despite his fickle appearance. The illegitimate child, Cosette, is the outcome of her dying love toward him. Cosette is used to show Fantine as a “miserable.” Fantine leaves Cosette with the Thenardier’s and goes in search for a job to support Cosette. As Cosette’s character grows, she reveals how pitiful Fantine becomes. Fantine’s devotion for Cosette, a little girl who is too young to give anything back in return, exposes us to one of the themes being forced to consider throughout the book, unrequited love. “My child in not cold anymore, I dressed her in my hair.” Fantine does everything she can to work for money to support Cosette. She sacrifices her hair so that Cosette will have clothes. Without Cosette Fantine could live her life for herself. She puts all her effort into a child that she does not see and which the child does not know who she is. The child, Cosette, is a symbol of all the love and everything Fantine put into a man who gave her nothing back. Cosette’s character is used merely to show Fantine as she goes through life and through each step as she puts something into someone else, how “miserable” she becomes. As the Thenardier’s continue to send Fantine bills for Cosette’s deceptive needs, Fantine continues to find ways to get that money. She goes to every extent go the money they claim to need for Cosette. Fantine sells everything she has, and when she had nothing she sells herself. She becomes a prostitute as an alternative to earn money. The Thenardier’s use Cosette to get money from Fantine as needed. Fantine, being weak and trusting, does not know of their plans and her love for Cosette lets her fall into their scheme.


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The Thenardier’s take in Cosette because Fantine can’t take care of her and work at the same time. As Cosette gets older she becomes useful to the Thenardier’s. Her innocent childhood is taken away from her and she is treated like a slave. Cosette is used to clean and work around the house making stockings and other necessary things. Cosette’s character and the way she is treated show the Thenardier’s authority. The way that the two daughters of the Thenardier’s won’t play with Cosette reveals the superiority the daughters claim to have over Cosette. Cosette is different; she is small and skinny, for she doesn’t get fed as well; she is dirty and her clothes have holes, for doesn’t have the privilege of getting a bath; and she is used as help and treated as a slave. This shows the boundary that was put up between Cosette and the Thenardier girls. Cosette isn’t loved or cared for-only used. Her role plays into the plot of the book; after being beat and tortured by the evil Thenardier’s, it’s time for Cosette to be saved. Jean Valjean comes just in time to take Cosette away from these awful people.


Cosette play an important role in the life of Jean Valjean. After being imprisoned for nineteen years and accused of many other crimes, Jean Valjean can’t find it in him to love or trust another human. Cosette changes that for him. When Jean Valjean first goes to the Thenardier’s and notices poor Cosette working away at knitting stockings while the other children play he connects with her. Jean Valjean then buys the stockings she is knitting and gives her permission to play. Cosette is shocked for she is never allowed to play, and Jean Valjean finds joy in watching this little girl content. When Jean Valjean takes Cosette from the Thenardiers, she becomes his “daughter.” Jean Valjean grows very attached to Cosette and learns to love and care for her. Cosette is used to show that a man in prison can change. Jean Valjean changes once Cosette enters his life. His actions become revolved around the safety and happiness of her. Jean Valjean existence is centered on Cosette. As her character is developed with him, Jean Valjean’s outgoing love for others is revealed. Having Cosette in Jean Valjean’s life, it exposes us to a changed side of him. Through, Cosette, it is showed that a man in prison can become a good man. After adopting Cosette, taking her in, loving and caring for her, Jean Valjean and Cosette’s relationship shows what a good man he has become. Cosette becomes Jean Valjean’s entity. He puts everything into her happiness. She symbolizes all he has. When she falls in love with Marius and leaves him, he has nothing. Jean Valjean’s reason for living dies and so does he.


Cosette’s character moves around many times throughout the novel. She spends a portion of the book with her mother, Fantine, who con not take car of her. Cosette becomes the object of Fantine’s poverty. Their relationship also exposes us to the theme of the unfulfilled love, since Cosette can not return Fantine’s love at such a young age. Cosette then goes to the Thenardier’s where she presents us to this evil family who beat and abuse her. When Jean Valjean takes her in, Cosette reveals a side of Jean Valjean that has not yet been exposed- his loving side. Jean Valjean loves Cosette and supports and protects her. Cosette is used in many ways throughout the novel and by many different characters. Although she never becomes a well-rounded character, she plays an important role in the development of the other characters. Cosette touches each character she comes in contact with and each in a distinct way.





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Creative Writing

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A city at night


I had finally reached my destination, Hong Kong. As I strolled out of the clustered subway my eyes glittered with excitement, my two lengthy hour journey was over. The lights sparkled magnificently like glitter dust in an assortment of colours in the sky. The mayhem traffic on the narrow roads resembled a war zone. The atmosphere was murky, the uncontrolled smoke from the raring car exhausts made me feel as if my throat was clogging up, I began to cough vigorously.


My stomach began to rumble as I glanced at all the elegant restaurants, one of which grabbed my attention, its sign stood out reading “ sushi supreme” I decided to take a look inside. A young attractive waitress wearing a traditional oriental dress approached me and said “Why not try, you’ve got nothing to lose” her attempt to persuade me had paid off. As I perused the well-addressed menu I was slightly put off by the unreasonable prices, but I thought to myself its not every day that you get to try the Chinese delicaces. It took approximately twenty minutes for the highly skilled chefs to prepare my sushi with a side order of rice with sweet and sour source. “Enjoy”, the waitress said tantalisingly as she lay my food in front of me. I noticed that the portions were rather small. I nervously took a bite out of the sushi. Mmm, the quality of the food to my surprise was superb I managed to finish the whole dish within thirty-five minutes. My hunger was reasonably satisfied. As I left the restaurant I for some strange reason decided to take a fortune cookie, ‘your future holds good surprise’.


I began to pick up pace as I wondered through the raging streets of Hong Kong. “Wow” I was truly impressed by the gigantic skyscrapers, which towered over me. It began to drizzle, I hurried to the nearest shelter, which was an ally, large signs saying thieves about alerted my attention. From the glamorous streets of Hong Kong I found myself on the other side of town known as Cardboard City. The foul pungency hit me hastily. “Do you have any spare change please” an old man asked, a tear formed in my eye to see people living in these unhygienic conditions made me sulk. How could anyone describe these unfortunate souls as thieves? I checked my pockets for spare change luckily I had twelve dollars which I gave to the man. The rain quickly died down, I started to make my way back.


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Darkness soon fell in the sky. I was stunned by the magnificent night-lights, it was as if I had been transported through a warp to the future. I headed down Palmer Street, which was said to be to be one of the most active areas of Hong Kong. The shops were gleaming with overwhelming lights, I stopped, I could hear some sort of singing, and it sounded as if it was coming from the north. From a distance I could see a group of people dancing, it was obvious that a celebration was taking place. I followed my senses as I got closer I approached a man in a polite manor and asked “what is all the commotion about” he replied “the Chinese state circus have returned from their world tour, and are holding a gathering for all their supporters”.


As the day drew to a close, I checked into one of the Chinese five-stare hotels. As I snuggled into my fine silk Chinese pyjamas. I dreamt of what a magnificent day I had experienced.








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Native Son, Boris Max's Defense

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“Innocent until proven guilty” was the basis for the defense that Boris Max provided for Bigger. Richard Wright went into great detail on the defense of Bigger in his book Native Son. He showed how much this one trial meant to Boris Max. Boris Max stayed up many nights and could not sleep at all. Why did Boris Max want to defend Bigger, who was obviously guilty of murder though he had tried to blame it on the Communist Party? Max thought that Bigger’s environment caused him to commit the murder and it was done as an act of self-realization. Also, Max thought that this trial was a step not only for Bigger, but for the whole African-American race and other minority groups. Although Max went into the trial with a handicap, his defense was very powerful.


First, Boris Max thought Bigger’s environment led him to his murder. Bigger lived in the Black Belt of Chicago and had very poor living conditions. Bigger, Buddy, Vera, and Ma all lived in a house together and when they woke up, the two boys had to avert their eyes while the other two got dressed. Also, the story opened with a rat entering into the room. Buddy and Bigger captured the rat and Bigger then killed it. Richard Wright described the sensation that Bigger got when he killed the rat. It says that he felt powerful after he had killed the rat. Also, Max points out that Mr. Dalton was to blame for the environment in which Bigger lived. Bigger lived in one of the houses that Mr. Dalton rented out. Max points out that Mr. Dalton would not let any of the black families rent in the other parts of the besides the small, run down Black Belt. Since Bigger was forced to live in this neighborhood, he had never interacted with a person of another race. Naturally, Bigger grew up to be scared of the white race because he had never related with them. When Bigger was in the room with Mary Dalton, he feared for his life. He did not realize what he was doing. He was just acting out of fear of the white race. The last point Max makes in the defense of Bigger concerning his environment is how the law handled the previous crimes of Bigger. Bigger had been in many little scandals before and had never really been punished. He had been sent to reform school once, but he still continued with his crimes. Max continues on to say that not only the environment caused this murder, but it was a big part in the whole situation.


Secondly, Boris Max felt that the murders were done in an act of self-realization. Max’s first point on this subject led back to the slaves who first came over to the new land. Out of all the men and women who came over, the whites were lucky and ruled the lands. The blacks were enslaved, but eventually set free. Max then proposes the question of whether they were really set free. The blacks could only live in certain places and only have certain jobs. They were still under the rule of the white nation. The only thing that had changed from the 1700’s till the time of the story was that the blacks were getting money for practically the same work. How does this affect Bigger? Ever since the blacks came over to the new world, they had been searching for an identity. They were part of the lowest class in the nation. To the whites, every black man was the same. Max points out that if Bigger went to prison, he would be happy because he would be identified, even though it would just be a number. Next, Max brings up the issue of war. He says, “Do men regret when they kill in War? Does the personality of a soldier coming at you over the top of a trench matter? No! You kill to keep from being killed.” How does this relate to the trial? Max goes on to tell how the soldier returns back to his land free. He then connects it to Bigger by saying, “This boy, with his hands stained with the blood of Mary Dalton, felt that he was free for the first time in his life.” He also talks about how people will feel free when they get caught up in a task. Bigger was so involved in the murder and trying to work everything out, that he had felt free. Richard Wright had Boris Max talk about how people can get caught up in religion, politics, art, science, and industry, but how many of these can the black nation actually participate in? The blacks can only get involved in one! They can only get engaged in religion but it is only a primitive form. The point is that the black race has been denied all rights to any organization that would allow them to have a sense of unity and identification. Since Bigger and all other blacks were excluded from these activities, their every thought is a potential murder. Max says that it is a psychological and physiological problem. Max’s most powerful point in this section was when he said, “Your Honor, remember that men can starve from a lack of self-realization as much as they can from a lack of bread.” Max is saying that when a man is hungry, he will do anything to get some bread, even if he has to commit a crime to do so. Likewise, a man who is lacking self-realization will try anything to establish himself in the world. He will even go as far as Bigger and commit an unthinkable crime. This argument can be backed up by showing that Bigger wanted to look at the newspapers just to see his name in the papers. He only wanted to get attention and figure out who he was.


Lastly, Boris Max wanted this trial to be a victory for all African-Americans and other minorities. Bigger was at a big disadvantage when he came into the trial. First, he was black. Bigger had already been judged by the color of his skin. The media had already publicized the event and the mob had already grown to hate Bigger. Also, the white jury had read the newspapers and had their own ideas about Bigger before he had ever stepped foot into the court room. He continues on to say that it would just be easier for the jury to say, “Kill him. Burn him.” This would not solve the problem though. If one black boy was killed or even if one black person was killed every day of the year, the black revolts would not end. The black race would just be outraged and more murders would be committed. However, Max did not view this as a trial just for the black race. He then says that Bigger had committed many more crimes but that they would never find the evidence because Bigger had killed in his heart. He has been deprived by the white world. He is just a simple black boy who is trying to make himself known in the white world. Max says, “Every glance of the eye is a threat.” This shows that Max felt that since Bigger was black and he feared the white race, his every thought and action was a potential murder. He also says that his actions are a protest trying to get equality. Max’s last point is comparing Bigger’s death to the ones of the blacks who had been lynched. He proposed the question of why this one death would be any different from the killing of slaves?


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Richard Wright dedicated almost half of a section on the defense of Bigger given by Boris Max, the communist. Why did he want to put so much emphasis on this point? Some will say to show his beliefs in communism and capitalism, but the true reason was to prove to readers that the environment of a person growing up can cause him to act certain ways. In Native Son, Boris Max’s three main points for the life of Bigger were his environment caused him to live the way he did, it was an act of self-realization, and it would have a lasting effect on the minority groups. Although Max does not influence the jury enough to let Bigger get life in jail, his arguments were very sound. Max ends by making reference to killing each other when we have so much hatred toward a certain race when he says, “With every atom of my being, I beg this in order that not only may this black boy live, but we ourselves may not die.” Max’s words left a lasting impression on Bigger, but unfortunately not on the jury. They found him guilty and sentenced him to death.





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Looking for Alibrandi: What are the causes of change in text?

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What are the causes of change? The causes of change are both internal and external. Internal causes of change are those that occur within a person. The person initiates the change and is in control. External causes of change involves a person’s surroundings changing. There is little control over this type of change. In the texts looking for Alibrandi by Melena Marchetta, “The Door” by Miroslav Holub, “What women Want” directed by Nancy Myers and song “father and son’ composed by Cat Stevens both internal and external causes of change can be seen.


The novel looking for Alibrandi by Melena Marchetta is about Josephine Alibrandi, a Catholic girl, in her final year of High school. As the year progresses Josie alters her perspective on many issues including her culture, family, own identity , and the importance of social standing and wealth. The causes of these changes are internal, external and a combination of the two.


Josies perspective of her grandmother changes from viewing her as nagging old women to having a loving, caring, respectful relationship with her .The episodic narrative which is written in first person enables the reader to see the stages in which her perspective changes as she gains knowledge about her grandmother and also how it is her own actions that allow the change occur. Initially Josie dreads having to spend time with her grandmother, as she states


“my main objective in life at the moment is to get on my grandmothers nerves.”


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But as the novel progresses Josie learns more about her Nonna’s life and abut her affair with Marcus Sanford she finds out that her grandmother


“Hadn’t lived life the way she thought, she hadnt played by all the rules”


By the end of the novel Josie is able to recognise her Nonas full worth and she cries as she realises


“ Im loved by the two strongest women Id ever meet in a life time”.


Marchetta also uses Josie to show how change can be external. John Barton’s death was a change in Josies life that she had no control of. The journal style narrative allows the reader to see Josies changing perspective of john as the novel progresses. Prior to johns death Josie believes John has it all as he is


“School captain ... greatest debater...good looking. popular”


and according to Josie he is “the love of my life”. After his death the first person narrative allows the reader to see Josies emotions .At first she is devastated and can not under stand why someone who “never had any problems” would commit suicide. But after recovering from the shock of John’s death, Josie is able to see beyond her anger and empathise with John ‘s feeling of isolation .The journal style reflection allows the reader to see Josies changed perspective of john, as she realises


“that wealth and social status don’t equal happiness”.


Causes of change being combination internal and external is also shown by Marchetta through Josie. The use of episodic narrative and journalistic style enables the reader to see the causes of Josie’s changed perspective towards her father clearly. Josie’s father coming to live in Sydney was an external cause of change, as Josie had no control of his place of residence`. And Josie’s initial reaction to this is hostile and antagonistic. Josie believes he has betrayed her mother and reigned on his role as a father. If she did not choose to make contact with him during the Carly Bishop incident with the science book, the relationship would not have grown. Through continued c association with Michael Josie changes her opinion. and becomes “proud to be an Andretti” The new relationship gives Josie increasing stability and security.


The film “What women Want” directed by Nancy Myers and song “father and son’ composed by Cat Stevens both share Marchetta’s view which is the causes of change are both internal and external. The film what women want shows how Nick Marshall, a middle aged advertising agent changes from being a chauvinistic self centred person to one who is acutely aware of the emotions of others, particularly women. The external reason’s for this change was a bizarre accident where nick is electrocuted in the bathtub, which enables nick to hear womens thoughts. The importance of this scene is highlighted by the use of slow motion as the hairdryer falls into the water and the use abrupt camera angle and the non-digetic music which makes the scene appear more comical. Nick is humanised by listening to women’s thought and opinions of him. This alters his way of thinking and makes him willing to communicate with women differently. This willingness to change can be seen in the mis-en-scene, where he is filmed surrounded by women laughing and enjoying there company.


Cat Steven’s explores the differing viewpoints on change through his song “father and son”. The song has two character within it, a father and his son. The character of the father presents the view on change that you shouldnt force change instead, let it occur around you. Which can be seen in the lyrics ”just relax...settle down” .The view point is supported by the music when he is singing. In these verses The music is simple, slower , as the basic chords are repeated on an acoustic guitar .The character of the son has a completely different viewpoint. He believes that he needs to be out there experiencing life, where the action is, making changes. Through the lyrics it is seen that the son can no longer ignore his burning desire to experience life, “it’s hard but it’s harder to ignore it”


The son’s view on change is reflected in the music. In these versus when he sings the pitch of his voice is higher, louder and more dramatic. The music contains melodies plus the basic chords. The contrasting of the characters highlights the opposing views.


However the Text “The Door” by Miroslav Holub suggest that the change comes from within in only.. Which is unlike Marchettas view on change that it occurs because of external and internal causes. The door is a symbol in the text. It represents the barriers that stand in the way of change. It can also be seen as a gate way to opportunities.The poem uses the imperative command “Go and Open the Door” to convey this message. The command begins the text and is repeated 5 times within it. The word “Go” and “open” in this command are verbs and suggest that you have to initiate the change.


Change occurs from both internal and external causes. The texts Looking for Alibrandi by Melena Marchetta, “The Door” by Miroslav Holub, “What women Want” directed by Nancy Myers and song “father and son’ composed by Cat Stevens all convey that the causes of change are both internal and external.





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Heroes

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Heroes come in all shapes and sizes.


Heroes can be young like Lleyton Hewitt and Preston Cambell or old like


former long distance marathon runner, Cliff Young, who was well in his 60s


when he first came to prominence.


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Heroes can come from movies, music, or literature.


Heroes can also come from sport. In fact Australia has a long history of


glorifying its sporting heroes and putting them on pedestals as examples


to follow and admire.


For a long time now, Australia has produced a number of high profile


sporting heroes. Including cricketer Don Bradman, former Olympian Dawn


Fraser, to more recent greats like, tennis ace and current US Open


Champion, Lleyton Hewitt.


At 0, Hewitt just took out his first Grand Slam, in his first ever Grand


Slam finals appearance. Here are some examples of the coverage Hewitt


received on the Daily Telegarph.com web site on the Internet.


hold up Internet page of the article.


The reporter Paul Malone told us this as he covered the story in New York He says that US Open tennis champion Lleyton Hewitt hopes the Australian


public will learn to love him after he surged to a maiden Grand Slam win


with a performance which mystified the great Pete Sampras.


Also Lleyton Hewitt was quoted as saying, Im sure that everyone in


Australia was behind me today. Thats the kind of country we are,.


Lleytons father admitted they had not expected the South Australian to


win his first major title at the tournament.


And finally this quote from a true champion, Pete Sampras, the winner of


1 Grand Slam titles, said he felt overpowered by Hewitt and no opponent


had played better against him.


Another local home grown rugby league hero is Sharks halfback, Preston


Campbell, who earlier in the week took out the prestigious Dally M- Player


of the Year award.


Preston has become a sporting hero to many youths because he comes from a


small country town called Tingah and is only small in size and stature


just like himself. Campbell shows us that you dont have to stand 6 ft


tall to be a hero.


Hold up Telegraph news article


This story was covered in the Daily Telegraph newspaper on Tuesday, with the


headline Prestons coming of age. Dean Ritchie reports, Excitement


machine Preston Campbell, the attacking genius leading the Sharks charge


to the premiership, capped a remarkable season when he claimed the NRLs


most celebrated individual prize. Preston who was surprised by the win was


quoted as saying I was up and down last year - I only played five first


grade games. I was in first division for most of the season,


Preston went on to say this was the last year of my contract so when I


was given the chance I wanted to make a go of it.


People will always need heroes and the media will always promote heroes.


In Australia sporting heroes are often larger than life. And the media


plays a role in making them big. We all need heroes in our life, they are


people we can all aspire to and the media needs heroes too. But the true heroes are the people that risk there lives to help others.


Thanks.





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Symbols in "The Rocking Horse Winner"

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Symbols in “The Rocking Horse Winner”


In “The Rocking Horse Winner”, a tragic story demonstrating the destructive effects of materialism, D.H. Lawrence employs symbolism to develop the idea that love and happiness can be destroyed by money. Lawrence utilizes the character Hester as a symbol of greed to display the effects of materialism. The author’s use of symbolism is mainly to show that children require love and compassion. Paul’s rocking horse and the whispering of the house represent his evident need for love. Lawrence uses money to prove that avarice and negligence of a mother can contribute to the deterioration of an innocent, young child.


A main symbol in the story is the character Hester, Paul’s mother. She represents both greed and selfishness and her desire in life is to acquire large sums of money. Hester is notably materialistic and values lavish possessions more than her own children. “She had bonny children, yet she felt they had been thrust upon her, and she could not love them” (0). Lawrence stresses the fact that Hester is incapable of developing an emotional attachment to her children. She feels that the children are a burden to her lifestyle and values wealth more than love. Hester believes that her children’s need for affection is easily replaced with expensive gifts. She is entirely consumed by greed and can only feel passion for money, a substitution for love. “When her children were present, she always felt the center of her heart go hard. Only she herself knew that at the center of her heart was a hard little place that could not feel love. ‘She is such a good mother, she adores her children’. Only she herself, and the children themselves, knew it was not so” (0). Hester appears to be the ideal mother, filled with tenderness and devoted to her children. She projects the image of being a caring mother, but actually has a heart that is incapable of warmth and affection. Hester cannot love any human being. She loves neither her husband nor her children. Money is the only item that Hester can truly embrace. Her constant need for money and endless debts place Hester in financial trouble. Although her wish for money is granted, wealth comes at the cost of her son Paul’s life. Superficially, Hester is worried when Paul is ill, but she cannot understand that her own actions have contributed to Paul’s death. “His mother sat, feeling her heart had gone, turned actually into a stone” (01). Hester offers no comfort to Paul. She remains by his bedside, but never expresses her feelings for him. She allows Paul to pass away, without telling him that he is loved. Paul dies feeling neglected and detached from his mother because her interest lies in the money he has succeeded in winning for her.


In addition, Paul’s rocking horse represents his isolation from the world and pursuit of his mother’s love. The financial state of Hester is a burden that eventually overpowers Paul and contributes to his demise. Paul leads himself to believe that he can win Hester’s love by winning her money. He is able to predict the winners of various horse races through the use of his rocking horse. Paul rides the horse around an imaginary track in a trance-like state, oblivious to the world around him. “‘Now take me to where there is luck!’ He knew the horse could take him to where there was luck. He would start on his furious ride again, hoping at last to get there” (). Paul is in a constant battle with emotional problems, created by a lack of love from his mother. He is greatly troubled and has in some ways lost the innocence of his childhood. Paul’s journey on the rocking horse develops into a task he is determined to achieve. The rocking horse changes from a simple toy to a symbol of death, as it acts to transport Paul away from his life. “He was very frail, and his eyes were very uncanny” (00). Paul’s furious riding leads to the deterioration of his health and his life is eventually taken. Even though Paul is able to win his mother a large sum of money, he later dies of exhaustion from frantically riding the rocking horse. All of Paul’s energy is put into predicting the winner of the next horse race. Paul’s pursuit of his mother’s love becomes a hopeless obsession.


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The strongest symbol utilized by Lawrence in the story is the whispering of the house. This symbol is used to show Hester’s vicious circle of greed and Paul’s apparent need for love. The silent whispering of the house crying, “There must be more money!” (1) is a repeated message that greatly affects the mindset of Paul. This frightening demand for money tortures Paul and forces him into a world where he is no longer a child. Paul is compelled to deal with problems that ordinary children are not subject to. The frantic crying overwhelms his thoughts and remains constantly in his mind. Paul believes that the whispering will cease if he can earn money for his mother. The powerful, yet unspoken message has the ability to affect Paul’s behaviour and control his emotions. As long as the message remains unspoken, Paul’s actions cannot reduce its insistent nature. Although Paul wins money at the horse races, the money causes the whispering to become louder. Hester is not satisfied with the money Paul has won and her need for increased wealth grows. “Paul’s mother touched the whole five thousand. The voices in the house suddenly went mad. There were certain new furnishings and Paul suddenly had a tutor. And yet the voices in the house screamed in a sort of ecstasy ‘There must be more money! Now, more than ever!’” (8). Paul’s attempt to win his mother’s love is unsuccessful and he becomes further withdrawn from society. His winnings only push his mother deeper into her circle of greed. Instead of paying off her debts, Hester returns to her excessive spending habits. Paul is crushed by the further disregard from his mother and his urgency for love increases. “The Derby was drawing near and the boy grew more tense. He hardly heard what was spoken to him” (01). Paul realizes that the Derby is his last chance to win a fortune for his mother and gain her love. Despite the money that he does obtain, Paul’s requirement for love is never met. The love of his mother is obliterated through her selfishness and greed.





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The Handmaids TAle

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hemes, Motifs, and Symbols


Themes


Themes are the fundamental and often universal ideas explored in a literary work.


Womens Bodies as Political Instruments - Because Gilead was formed in response to the crisis caused by dramatically decreased birthrates, the states entire structure, with its religious trappings and rigid political hierarchy, is built around a single goal control of reproduction. The state tackles the problem head-on by assuming complete control of womens bodies through their political subjugation. Women cannot vote, hold property or jobs, read, or do anything else that might allow them to become subversive or independent and thereby undermine their husbands or the state.


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Despite all of Gileads pro-women rhetoric, such subjugation creates a society in which women are treated as subhuman. They are reduced to their fertility, treated as nothing more than a set of ovaries and a womb. In one of the novels key scenes, Offred lies in the bath and reflects that, before Gilead, she considered her body an instrument of her desires; now, she is just a mound of flesh surrounding a womb that must be filled in order to make her useful. Gilead seeks to deprive women of their individuality in order to make them docile carriers of the next generation.


Language as a Tool of Power - Gilead creates an official vocabulary that ignores and warps reality in order to serve the needs of the new societys elite. Having made it illegal for women to hold jobs, Gilead creates a system of titles. Whereas men are defined by their military rank, women are defined solely by their gender roles as Wives, Handmaids, or Marthas. Stripping them of permanent individual names strips them of their individuality, or tries to. Feminists and deformed babies are treated as subhuman, denoted by the terms “Unwomen” and “Unbabies.” Blacks and Jews are defined by biblical terms (“Children of Ham” and “Sons of Jacob,” respectively) that set them apart from the rest of society, making their persecution easier. There are prescribed greetings for personal encounters, and to fail to offer the correct greetings is to fall under suspicion of disloyalty. Specially created terms define the rituals of Gilead, such as “Prayvaganzas,” “Salvagings,” and “Particicutions.” Dystopian novels about the dangers of totalitarian society frequently explore the connection between a states repression of its subjects and its perversion of language (“Newspeak” in George Orwells 184 is the most famous example), and The Handmaids Tale carries on this tradition. Gilead maintains its control over womens bodies by maintaining control over names.


The Causes of Complacency - In a totalitarian state, Atwood suggests, people will endure oppression willingly as long as they receive some slight amount of power or freedom. Offred remembers her mother saying that it is “truly amazing, what people can get used to, as long as there are a few compensations.” Offreds complacency after she begins her relationship with Nick shows the truth of this insight. Offreds situation restricts her horribly compared to the freedom her former life allowed, but her relationship with Nick allows her to reclaim the tiniest fragment of her former existence. The physical affection and companionship becomes a compensation that makes the restrictions almost bearable. Offred seems suddenly so content that she does not say yes when Ofglen asks her to gather information about the Commander.


Women in general support Gileads existence by willingly participating in it, serving as agents of the totalitarian state. While a woman like Serena Joy has no power in the world of men, she exercises authority within her own household and seems to delight in tyrannizing over Offred. She jealously guards what little power she has and wields it eagerly. In a similar way, the women known as Aunts, especially Aunt Lydia, act as willing agents of the Gileadean state. They indoctrinate other women into the ruling ideology, keep a close eye out for rebellion, and generally serve the same function for Gilead that the Jewish police did under Nazi rule.


Atwoods message is bleak. At the same time as she condemns Offred, Serena Joy, the Aunts and even Moira for their complacency, she suggests that even if those women mustered strength and stopped complying, they would likely fail to make a difference. In Gilead the tiny rebellions of resistances do not necessarily matter. In the end, Offred escapes because of luck rather than resistance.


Motifs


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The Joy Luck Club: Novel vs. Movie

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The Joy Luck Club by Amy Tan was a very intriguing and exhilarating novel. I was very curious to see how the moviemakers were going to transform this amazing novel onto the big screen while still maintaining Amy Tan’s original themes and concepts. Now, obviously, there are going to be a lot of similarities, considering the movie was based on the novel, but what I seemed to notice was the differences. Some of the major differences that I noticed included the varying formats of the movie from the novel, the organization of the stories, and the specifics of the given stories. These differences didn’t have a major effect on the movie’s similarities to the book, but they do show how the book, originally, was better than the movie.


During the opening credits I noticed Amy Tan’s name a lot. She was not only included under the title based on the novel written by, but also (if I recall correctly) as an executive producer and a couple other key, decision-making roles that helped this movie to be as similar to the novel as possible. Even though the original author of the novel was on board as they created the movie, several key differences still managed to catch my attention. The first difference that I noticed was the different format of the movie as compared to the book. In the book the stories were arranged with on story of the Woo family, followed by one of the St. Claire family, and so on. In the movie they presented all of the Woo family’s stories at once, then all of the St. Claire family, and so on. This difference leads into my next difference very well. In the book the various stories were much more organized when compared to the movie. In the book various headings and pages were used to show distinct separations between the stories, creating a well-organized and easy to follow novel. In my opinion, however, the movie failed to create this separation and I felt was letting all the stories run together creating a mass of information that was difficult to take in and fully comprehend. The final, major difference that I noticed with watching the movie was the specifics that the movie went into. The movie I felt seemed to include more detail than the novel did when concerning all the different stories included in both. However, I can understand this since it is a lot easier to show a picture of something than it is to describe every detail of it in words. I feel that Amy Tan’s contribution to this film prevented many more differences from appearing in this film.


The Joy Luck Club by Amy Tan was not only an invigorating novel but it was also, later, made into a very interesting motion picture. While watching this film I picked up on several key differences between the film and the novel, upon which it was based upon. The differences were the format in each, the organization of the book compared to the movie, and finally, the specifics which the film tended to go into. Overall, however, I felt that the movie did portray an accurate account of the novel written by the Asian-American author, Amy Tan.




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Hello

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This paper traces the changing constitution of wilderness in two books by Sharon Butala, The Perfection of the Morning (14) and Wild Stone Heart (000), arguing that Butala¡¦s narrative moves from a reductive ¡§wilderness plot¡¨ to a more inclusive ¡§deep map.¡¨ Where the former book constructs prairie space through essentialized divisions between nature and culture, urban and rural, Wild Stone Heart depicts how even ¡§wilderness¡¨ is overwritten by cultural and political forces. This essay reads Don McKay¡¦s unorthodox ¡§nature poetry¡¨ through forms of ecocriticism that engage the question of what humans¡¦ inevitably anthropocentric approach to the nonhuman world means for the ecological capacities of poetry. It suggests that McKay¡¦s use of humour and metaphor can be understood as profoundly ecological in the context of two related paradigms Joseph Meeker¡¦s theory of comedy and Jan Zwicky¡¦s postulation of ¡§lyric comprehension¡¨ as ecological modes of approach to the nonhuman.This paper explores the dynamics of not belonging for Afro-Caribbeans in both the Caribbean and Canada. Because Canada refuses to recognize the Caribbean immigrant, it becomes a no-place for her. The result is a drying up and disintegration of identity. The nonmaterialization of ¡§another place,¡¨ alongside the water imagery that figures the love between and selfhood of the novel¡¦s female characters, exemplifies Paul Gilroy¡¦s theory that the fixities of nation space are inadequate signifiers of black cultural identity.


Lindsey McMaster


The Urban Working Girl in Turn-of-the-Century Canadian Fiction


At the turn of the twentieth century, Canada¡¦s rapid industrialization drew on a relatively new urban labour force young, single women. A denizen of factories, city streets, and department stores, the single, wage-earning woman represented to her contemporaries everything that was unnatural and unnerving about modern life. Where she made her way into fiction, we find rare social documents that speak of cultural codes unravelled and gender norms discarded.


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billboard ad

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Many camps have different themes; some have sports, photography, dance and many other different themes to offer. Our biggest competition would be the sports camps, because that is mainly what our camp has to offer. Our camp would probably be favored over all the other camps because it offers many different programs, many different kinds of sports, and facilities. Our camp is open all year-round and it offers a wide variety of sports. In winter we offer many of the winter sports, like skiing, skating, snowboarding, tobogganing, hockey and much much more. We still have indoor soccer, volleyball, basketball, tennis and many others in the winter. For the summer we offer outdoor swimming, soccer, volleyball, tennis and all these outdoor sports, and we also offer skating, and tobogganing indoors, which none of our competitors do. In the summer we also offer many water sports, like canoeing, scuba diving, rock climbing and many many more. Our camp being located near mountains, we our specialized in rock climbing, which is an exciting and thrilling sport. We also offer dances at nights, and babysitting for kids so that parents could go out and enjoy the night. Our facilities include restaurants, bathrooms, and wheelchair ramps for disabled people, daycare, and a big resort…. So our direct competition would be the camps that offer sports, but we are sure that they won’t offer as many sports and programs and facilities as we do, and our indirect competition would be camps that offer all the other kinds of themes.


Our target market would basically be for mostly kids and teens, because that is the age group that likes sports and camps and all that the most. We also offer dances for teens, so that will hopefully attract teens to our camp. Our target market would also be to all the sport lovers out there. Our camp prices are affordable for teens that work, but .




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cupid and psyche

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Throughout Greek mythology and all tales that speak of love, strangeness is always interwoven into a story line. Reading the tale of “Psyche and Cupid” we see this as well. Like most love tales much more than love is felt. Other emotions liter the pages the story is written upon�jealously, anger, and betrayal.


From the opening we see signs of jealously being planted. In the description of the beautiful Psyche shows how all of humanity thought she could be a goddess. “When the young princess went out on her morning walk through the streets, victims were offered in her honour, sacred feasts spread for her, flowers scattered in her path” []. The people would even call her the goddess of love or other titles that the real goddess of love, Venus, would be called. This thought angered the true Venus. From all the tales we see that the gods and goddess anger easily and most of their interaction with humanity is an act of revenge.








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So enraged with spite and anger and feelings of jealously Venus has cursed Psyche and sent her son, cupid, to ensure she falls in love with pure ugliness. “I implore you, darling, as you love your mother, to use your dear little arrows and that sweet torch of yours against this imprudent girl. If you have any respect for me, you’ll give me my revenge, revenge in full” []. This, in theory, was an excellent plan. However, Cupid fell in love with Psyche. But because of the jealously that his mother felt, he hid his love for her and even hid her away.


Isolation is a dangerous thing and can have much effect on people. The loneliness started to get to Psyche. “The poor girl spent the whole day in tears, complaining over and over again that not only was she a prisoner in this wonder palace without a single human being to chat with but she was forbidden to relieve the minds of her poor sisters” [6]. Psyche finally convinces Cupid to let her see her sisters “but he warned her with testifying insistence that her sister were evil-minded women and would try to make her discover what he looked liked” [7]. And if she listened she would lose everything that he has given her.





Psyche’s sisters joined her that very next day. But when they left the jealously that they felt over Psyche blossoms even further, they see all the splendor things that her husband has given her and they decide to plot against her. “I can’t stand seeing my youngest sister living in such undeserved style” [8]. “But I’ll be ashamed to call myself a women, if I don’t see that she gets toppled down from her pinnacle before long and flung into the gutter” [8]. Fueled by jealously of their own, they convince Psyche to betray a promise she made to her beloved husband.


From the breaking of this sacred pack the agony of love is felt both by Cupid and Psyche. Their love is always mixed with doses of jealously. Sometimes their own, sometimes others. For example, Psyche’s sisters and Venus, Cupids mother. The jealously that they had with each other stemmed from her beauty and Psyche not knowing what kind of man Cupid was or who he was. But whoever felt the grip of the green-eyed monster, the lovers themselves felt the effect.





The jealously of Venus over Psyche elevated her beauty and status from that of a mere mortal to someone who can contend with a goddess. The nature of the goddess herself


was also that of a bitter jealous rage, which caused Venus to scheme her plot of revenge. It is here that jealously takes hold of everyone, but also helped bring Cupid and Psyche together.





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Death of a Salesman

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Theme of walls in Death of a Salesman


The theme of walls and buildings in Death of a Salesman is important to the play. Going through walls represents going back to the past to re-enact the situations that are vital to the story telling of the main characters of the play. Walls play an important part in separating the past from the present, and in some cases, the real past from the imagined past. Willy Lohman created an alternate reality for himself because of his inability to achieve his goals and fulfill his dreams. Buildings represent Willy being closed in, as well as his loss of freedom.


To indicate that the play is taking place in the present, the actors follow the boundaries of the walls. “Whenever the action is in the present the actors observe the imaginary wall-lines, entering the house only through its door at the left” (Miller 185). When the scene is taking place in the past, the characters break the boundaries of the walls. “But in the scenes of the past these boundaries are broken, and characters enter or leave a room by stepping ‘through’ a wall onto the forestage” (185).


Walking through walls represents Willy’s lack of boundaries and lets him release himself of the physical world and forget his troubles. His lack of boundaries lets him remember things the way he wants to remember them, exemplified when he remembers Ben as being rich and someone to look up to. Willy’s description of Ben is that, “He is utterly certain of his destiny, and there is an aura of far places about him.” Willy is trapped by his need for acceptance and success. He goes back to the past to escape his own expectations.


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The theme of buildings is largely represented by Willy’s own house. Willy has a lot of himself invested in the house. Biff says, “You know something, Charley, there’s more of him in that front step than in all the sales he’s ever made” (1888). Biff unwittingly says more than he means in that phrase, because Willy built the front step using lumber that his boys stole. That shows Willy’s system of values, and his view on cheating.


Willy’s house most importantly represents Willy being boxed in. The houses in Willy’s neighborhood are made out to look formidable. “Before us is the Salesman’s house. We are aware of towering, angular shapes behind it, surrounding it on all sides” (184). Willy hates the idea of being closed in by other houses. Willy remarks, “The way they have boxed us in here. Bricks and windows, windows and bricks” (187). Willy also dislikes the apartments that are built around his house that box him in ever more. Willy’s feelings are that, “They should’ve had a law against apartment houses” (187).


The house helps the Loman family remember better times in their lives. Willy tells his wife, “Remember those two beautiful elm trees out there? When I and Biff hung the swing between them?” (187). The family uses the house to escape the reality that they are now dysfunctional, preferring instead to remember when the family was happy. If they ever were truly happy, one can only wonder.


For Linda, the house represents a challenge. Paying for the house is the challenge that she and her husband face. Willy and Linda view paying off the house after 5 years as something to be proud of. Willy says, “Well, that’s a great thing. To weather a twenty-five year mortgage” (1855). Linda tells Willy, “It’s an accomplishment” (1855). The Lomans are happy to finally pay off the house.


For Happy, his own apartment represents the fulfillment of an empty dream. Happy remarks to Biff, “Sometimes I sit in my apartment- all alone. And I think of all the rent I’m paying. And it’s crazy. But then, it’s what I always wanted. My own apartment, a car, and plenty of women” (181). Happy doesn’t feel content with what he has, but since his father has instilled in him the belief that money will make you happy, Happy believes he has accomplished what he always wanted to.


Walls and buildings are an important part of Death of a Salesman. Willy spends the entire play attempting to break free of the trappings of the outside world, which could be represented by the walls or the buildings around them. Only in death does Willy finally escape the confines of the walls and buildings.





WORKS CITED


Bedford Introduction to Literature. Death of a Salesman. New York Bedford/St. Martin’s, 00.





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